STORYTELLING

Story


As I have just come across my notes from my best use of 4 days in 2006, I feel like sharing them.

Last April I enrolled on a four day workshop of STORY – the scriptwriting course that Robert McKee has been teaching all over the world for the last 20 years.

Here’s three thoughts that I found particularly useful when thinking about designing brand stories:

1. All good stories take place in rich but small PERSONAL worlds - if not they end up being clichés/stereotypes. As he says they need to be at the same time CULTURALLY SPECIFIC and UNIVERSALLY HUMAN.

2. Any story of interest is born from a GAP : the moment when the protagonist is at risk of loosing something as his expectations and reality don’t match up.

3. A story can only exist when the protagonist has a clear ‘Object of Desire’ he/she is trying to reach.

FOR SOME IT'S WEB 2.0. FOR OTHERS IT'S THE NEW STILL LIFE

Or maybe I should say 'the new Campbell soup can'.

When I decided to go to SLICK - the new art fair grouping some of the hippest young contemporary art galleries - in the depth of the 20th arrondissement, I was not expecting to find that the most eyecatching artwork there would be a simple acrylic painting of the Google home page.

The artist - Valery Grancher - told me that he finds the icons of the virtual world a more inspiring universe than landscapes, still life or the human form.

Google_painting

The following week I came across a gallery where an anonymous collective had covered the walls with the results of typing 'art' in Google.fr

Google_art_1Google_art_2_1

The Italian elections' poster ads

Sadly risk taking and innovation were not part of the Italian elections' advertising. From what I have seen, the outdoor communication of this Italian election has not produced anything like the famous 'labour isn't working' campaign. The content of their message is not only dull, but it's totally predictable and pretty empty. I guess their only ambition is awareness.

When I saw some photos of the same posters in italian cities, they finally become more interesting. They seem to become more engaging. Context is what seems to have boosted many of the posters' effectiveness and not their content. Context seems to be so powerful that often it even overtuns the advertiser's message.

Here's some examples sent in by readers of La Repubblica . Shame all of them are accidents, rather than clever marketing.

1idea_diversa

When the right leaning Casini and his UDC created their 'A different idea' poster, they cannot have imagined the meaning it would gain when placed next to an ad showing two men pushing a pram.

2fini_e_lou_reed

When Fini, the leader of the AN right leaning nationalist party, had his picture taken for this poster and proudly looked left, he would never imagined he could be outstaged by Lou Reed on tour in Ravenna. If he had I am sure he would have at least looked for some cool sunglasses.

3the_future_a_destra 4il_futuro_a_destra_il_passato_a_sinistr

When his slogan 'the future to the right' is placed to the left of some bins the effect is bad. But when it is next to the same party's other slogan 'the past is to the left' showing a picture of the 'enemy' left wing canditate; you are working for the opposition.

5berlusconi_e_la_statua 6forza_italia_bins 7forza_italia

And how can Berlusconi's Forza Italia only worry about the quantity of media buy, when context can be so cruel to the ads' final effectiveness