THE FORCASTING POWER OF COMICS

I found an unlikely source of forecasts by looking into different book stores in the weeks before the first round of the French elections: comics.

In the 5 different bookstores I entered, I noticed 6 comic books on one or more politician. 5 of these were about two of them: Ségolène Royal and Nicolas Sarkozy. Where would the other candidates be today if they had not overlooked comics?

On teh comics' prediction for the final round? Sarkozy has one more comic than Segolene. I guess looking at the numer of comics, their prediction is Sarkozy for president.


Sego_sarko

Sego


Sarko


Sarko2


One was about an outlier: José Bové. But then again, the title helps understand why comics did not help him:

We must kill Jose Bove
.

Bove

FOR SOME IT'S WEB 2.0. FOR OTHERS IT'S THE NEW STILL LIFE

Or maybe I should say 'the new Campbell soup can'.

When I decided to go to SLICK - the new art fair grouping some of the hippest young contemporary art galleries - in the depth of the 20th arrondissement, I was not expecting to find that the most eyecatching artwork there would be a simple acrylic painting of the Google home page.

The artist - Valery Grancher - told me that he finds the icons of the virtual world a more inspiring universe than landscapes, still life or the human form.

Google_painting

The following week I came across a gallery where an anonymous collective had covered the walls with the results of typing 'art' in Google.fr

Google_art_1Google_art_2_1

CULTURAL LINK WIDENS COMICS' INFLUENCE

Out of curiosity - and a conviction that the influence of the comic strip in today’s popular culture is rising - I decided to go and see what the 5th edition of the a festival of BD (‘Band Dessiné’ or comic strip) was all about.

As a roman living in the land of Asterix, I’m very aware that comic strip culture in Paris is not something that’s just for kids or geeks - it's even got its own ‘Oscars’.

The thing that struck me the most in this annual fair is what seems to be a tightening link between Japanese and French culture.


Spirou_fantasio_tokyo Sommelier_01


As the French are not well known for their explicit multiculturalism, I was surprised to see how much space was given to manga. Then I saw that the new album of ‘Spirou’, a very French comic strip hero, is set in Tokyo. Finally browsing through the manga section, I found that one of the latest japanese manga titles (translated in french) is entitled ‘Sommelier’ and is a very ‘french’ story of the daily adventures of a wine waiter in France.


As pointed out by Jean Snow - an observer of Japanese popular culture - ‘even more intriguing is the fact that manga artist Hiroyuki Oshima is currently working on an original manga adventure for Spirou’. I love the results of this collaboration and how manga is giving a new energy to the French character.

Manga_vs_frenchspirou


Also I was surprised to find that many of the comics were not about escapist fictional or fantastical worlds, as I expected, but about an everyday, ordinary world.

Intrigued I bought an issue BANG – a french comic magazine – with a report on Manga. I discovered that the favourite subjects of mangakas (the name given to manga authors in Japan) are family, sex and social alienation. One of the most famous books of the mangaka who is seen as the pioneer of modern manga, Yoshiharu Tsuge, is titled: "The Uselelss Man".


Homme_sans_talent

Digging a bit further on this unexpected (to me) cultural influence, I found that, according to Frédéric Boilet – a french comic strip writer based in Tokyo whose l'Épinard de Yukiko was described as 'very French' when launched in Japan and 'very manga' when published simultaneously in France – there is a clear difference between Japanese and franco-belgian comics. In Japan – he says – you become a mangaka because you want to tell stories. In France (and I feel it's true in most of the western world) because you like to draw - I have always seen comic authors as specialist graphic designers.

He then confirms that contrary to franco-belgian BD rather than setting their stories in a SFx, historic or adventure context, manga has always preferred stories of men and women in their everyday lives. I found it interesting that he attributes this as the main reason why in the west (US and UK in particular) comic strip tends to be seen as something for male adolescents, whilst in Japan manga has a broader readership and is not just read by ‘otakus’ (the japanese for geek) but by men and women of all ages.

Why does modernity need to be so homogeneous?

I did not take long to become "caféd-out". Soon after moving to Paris I began missing the modernity of lunchtime places. I had found it in London, Amsterdam, and even Portland. The Parisian café is unbeatable if you want a place where to think and discuss; but it quickly becomes too predictable for lunch. So I was ecstatic when 'modern lunch places' started to appear across Paris. Spending one lunchtime jumping from one to the other, made me think of how modernity skindeep can quicly become a stereotype.


French cafés are more about context than content. My theory is that they were designed for conversations and intellectual arguments and not as places to eat - there's restaurants and bistros for that. As a result, whilst the best cafés are hard to beat, the offer of the vast majority is very dull. The Italian bar is the opposite - often dull places but - generally - offer an incredible range of stuff.....but I digress.

Sadly modernity in these places seems to be packaged a bit too homogeneously for my liking.There seems to be three main signs of modernity: names, information and promotions.

Modernity sounds exotic
The new lunchtime places that are appearing in Paris can be spotted for their names - like Cojean, (Paris' pioneer), Sandwich Market, Fin's Herb, Delicabar and even Ching'ling - all which could easily be chains - and design. Usually relatively minimalist, clean cut with a sharp use of colour which feels either purposedly too loud or too sedate.

Name1 Name2 Name3 Name4 Name5


Modernity comes with hyper-information

I found the most noticeable - and annoying - trait of modernity to be their need to aggressively deliver me information. They tell me they have lots of choice. They tell me they serve quality product - it's fresh, it's natural. The one I found funniest is where they give me instructions on how to use them - just in case I had walked in with a 'café mindset'.

This is France; it's supposed to be about seduction, not rationality.

Info1 Info2 Info3 Info4Info5 Info6 Info7


Modernity allows you to play with innovation
Luckily it seems that modernity does not need to be superficial and some of them are doing more than offering packaged sandwiches and smoothies. Delicabar - the snack bar inside the Le Bon Marché department store - for example, makes food beautifully complex as only the french and possibly the Japanese can where.

Whilst cafés' marketing limits itself to the menu du jour, the new places go a bit further and are introducing 'themed promotions'. My favourite is Cojean's summer promotion which offers: a summer of "muesli paradise".


Oddpromo


With the exception of places like the delicabar, most of these new modern lunchtime places have applied the internationally bland model of modernity to Paris. Just as I was getting pessimistic believing true change had arrived too brutally, I noticed that Frenchness remained. Most of the new places are closed for the whole month of August.

Holidays

A society full of twins ?

Wandering through the greetings card section of De Bijenkorf department store in Amsterdam I noticed what must be a relatively new category of greetings cards: the 'new baby twins' greeting card.

A glance at statistics on twin births, this is a trend that will change cultures and create opportunities. In Italy, - where the trend is strong and rising - twins below 18 can travel free on public transport in Bolzano. I guess rather than 'don't forget your bus-pass' it's a case of 'don't forget your twin'.

According to multiplebirths.org.uk, in the UK about one in 34 babies is born a twin or triplet (in 1980 one in 52). The twinning rate has risen steadily to around 14.6 in 2004 from 9.6 in 1980. As infertility treatment and the age of the mother - twinning rate rises with the age of the mother; from 6.3 in under 20 years old to 56.7 in the over 45s - rise, so will the chance that newborns will have a double.

What will this do for the thirst for individuality in 2020?

Twins1_1 Twins2_1 Twins3_1


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